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    Meredith Lucks

    For the past year I have been using collage as a means to getting back to my extremely basic creative expression-a creative expression that relies only on the simple act of visually illustrating what I would love to see.
    I gather what is around me to create a space, a space that could harbor a world. A space where surroundings and differences are much more rigorous. I like to think that these places trigger one’s perceptive instincts.

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    Nadjib Aktouf

    I am an aspiring photographer living in the Middle East. I love street photography and I enjoy capturing a split second of city life. I tend to focus on older men and women - their faces have interesting stories to tell. My first collection of photos I call "Sidewalk Blues" which portrays street life in the cities of Amman, Algeria, Damascus, and Cairo.

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    Azhar Chougle

    I'm an 18 year old photographer and designer, starting out my photography degree in New York City.



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    Daniel Carrus

    Scaring people is my mission. I like taking every day places and turning them into nightmares. I want my photographs to captivate, to hold your morbid interest. When you return to the subject location in real life, I want you to notice the horrors that I showed you.

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    Will Fuller

    Thank you for taking an interest in my work. After residing in Ulsan, South Korea, for a year where I worked as a photographer and a teacher, I am once again back home here in the dirty south. Most of my artistic work focuses on experimental technique using time lapse photography and digital manipulation.

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    James Curcio

    James performs in industrial rock concerts, bitches incessantly on his blog, skulks about in dark recording studios, and writes dystopian graphic novels and novels for a generation of disenfranchised drug addicts. He has become something of a mainstay in independent and fringe media, though rumors of being a key member of a harem of feral lesbians are slightly exaggerated. He will sleep when he is dead.


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    Sara Wight

    In Sara Wight's latest series, Beyond the Horizon, she creates atmospheric yet intimate photographs where the relationship between human life and nature appears delicate and interconnected. Sara attempts to understand the fragility of human life within the context of the natural world. Small human figures are neither masters of nor intruders upon the landscape they inhabit. Simply another element of nature, their existence is in a constant state of flux. These photographs reveal that only by viewing these elements together can we begin to make sense of the complex and cyclical relationship between human life and nature.

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    Lisa Kellner

    My work addresses issues of identity, political structures and cultural facades. I am interested in what produces these constructions and how they manifest in contemporary society.

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    Derek Van Oss

    Derek Van Oss" width="300" height="250"/>Derek Van Oss is a freelance photographer and artist of many kinds based in Los Angeles, CA USA.

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    Caleb Alvarado

    Trained as an architect, I always question how many architects leave out the reality of everyday life, of human emotion; the things that really matter to all beings. I have begun searching to record those real intimate moments that move us, whether it be the love of a mother, an embrace of a pastor, a quiet dinner or even a joyous moment of singing to the unseen. These are the things that drive our everyday lives and make into who we are; human emotions that everyone can share.
    -Born and raised in South Phoenix, Arizona
    -Camera: Mamiya RZ67 Pro II , Medium Format, Polaroids + 120mm Film



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    JHeinz

    I look for the unusual in the everyday things around us. I try to capture images and bring out their beauty, adapt and adjust them. I have been working in black and white film, and digital imaging.

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    Timur

    "It is now very clear that techniques of machine-human interfacing, pharmacology of the synthetic variety, all kinds of manipulative techniques, all kinds of data storage, imaging and retrieval techinques, all of this is coalescing toward the potential of a truly demonic or angelic kind of self-imaging of our culture. And the people who are on the demonic side are fully aware of this and hurrying full-tilt forward with their plans to capture everyone as a 100% believing consumer inside some kind of beige furnished fascism that won't even raise a ripple. The shamanic response in this situation I think is to PUSH THE ART PEDAL THROUGH THE FLOOR." - Terrence McKenna