digital
After losing my lifetime's worth of art in 2005's Hurricane Katrina, I've decided to go digital. Digital pieces stored in various locations. My only surviving pre-Katrina pieces were those that I uploaded somewhere. I may do some physical pieces when necessary, but the bulk of my work is digital now. It also helps me save trees (paper & pencils) and gas (trips to buy supplies). Most of my work comes from my love of music and movies. Pop culture plays heavily into my work.
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painting
My work depicts awkwardly beautiful fantasy worlds, scenes that are defined absurdity and opulence. I am interested in translating the formal conventions of abstract painting through a contemporary romantic sensibility. This point-of-view embraces the drama of combining clashing materials, familiar but ambiguous imagery, and high and low cultural references.
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illustration
My artwork is about the the psychic aftermath of Hurricane Katrina. The near destruction of the city of New Orleans had brought up a lot of thoughts of biblical trial and tribulation as found in the American roots of the Blues, Jazz and folk art.
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digital
Everyone needs a symbol, a stamp, an identifying image which is undeniably theirs. This is me, this symbol is me, and it is The Face. The reason for The Face is to be seen. The Face is unmistakably mine, and The Face will be there looking at you long after I'm gone. The Face is how I present myself to the world. I encourage you to take a face from the site, and take it everywhere. May my face bring you as much comfort as you need as it has given me much more than I deserve.
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Gawker Artists