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Bob Staake is an illustrator, author and designer. His clients include The New Yorker, The Washington Post, TIME, Cartoon Network, The Wall Street Journal, MTV/Nickelodeon, Random House, Hallmark Cards, and countless others. He is the author and/or illustrator of over 43 books including 'Hello, Robots!', 'The Red Lemon' and 'The Donut Chef'. He's only a click away at Bo
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I draw inspiration from antique woodcuts, children's literature, contemporary photography and the natural world in which I live. Mostly pen and ink drawings, my works often integrate bits of gold dust, vintage fabrics and watercolor. These illustrations are for people who prefer to have their serving of whimsy with sugar and cream.
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Always a scribbler, I decided in 2000 to get serious and teamed up with a pulp Art collector to create modern pulp, modern political satire and subvert all the elephants in the room. Since then, I've published 5 books with Robert Lesser. More are on the way.
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Comforting in their often nightmarish view, the works speak to children of all ages. Receiving no formal training, he has taught himself through the careful study of artists Thomas Wilmer Dewing, Maxfield Parrish, Arthur Rackham, Stephen Gammell, and the more contemporary visionary of Maurice Sendak, Tim Burton, and Gris Grimly. A large portion of his work focuses on the charm of turn-of-the-century ads, while other works focus on re-envisioning classic tales.
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Jesse Kuhn is a commercial artist that indulges in everything from children's book illustration to editorial, and commissioned pieces as well. Each illustration still starts out with the old analog process of pencil/pen & ink and is then digitized and colored.
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Color is fun, but there is nothing like working with pencils on boards, paper, even digital media using a tablet. It's like staying faithful to that line, to that shade with minimum tools. No other plastic creative process, compares to it. At least that is my opinion when it comes the time to achieve simple beauty.
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I’m researcher in chemistry at UC Berkeley where I am working in bioanalytical tech development and applications. I find the etch-a-sketch harnesses my nervous energy, letting me go about the rest of my business more effectively—I get decent ideas while doing something so orthogonal to my actual work. The pictures have also let me sometimes engage an audience that might not otherwise be reached to talk about science, which I feel would benefit from being in the public sphere a little more.
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My art communicates my emotion at the time of choosing the subject for my drawing. The gray scales achieved when drawing with graphite and charcoal are an ideal medium for visually expressing what I feel about a specific subject. Although the genre of my work is realistic, imitating reality is not the primary goal. I want a viewer of my work to get something out of viewing it. I want to stir some sort of memory, emotion or feeling. When the viewer identifies with a work of art then the art is a success.
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I work in pencil, charcoal, ink and watercolor, then bring it into the computer to finish it off. I have long been moved by the written word, so I often incorporate that into my work. Thanks so much for viewing!
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Elizabeth Ha loves bright colors, puns, and animals. She loves to play with words and shapes, distorting verbal and visual meanings. She currently lives in Oakland, CA. Her ideas often come to her randomly. Sometimes she is unable to draw for months, and other times, it is quite the opposite. Elizabeth also likes to walk 5-6 miles a day.
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Hello, my name is Patrick, and I am 24 years old, married to my wife of five years, and have a little girl on the way. Drawing is my hobbie, and something that I know that I am alright at. I hope that you enjoy some of my work. Thank you.
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...a sassy mix of traditional and digital media. My work is whimsically detailed and painstakingly created. Why have it any other way. After three near death experiences I am happy to be amongst the breathing. Cheers!