• painting

    Evan B. Harris

    Evan says "most would cringe at the idea of scratching or sanding something they spent hours painting, but that's my favorite art - creating the appearance that this wasn't made in the 21st century." And he's a self-taught artist, no less. You can view his work on his website at www.evanbharris.com, and you can buy prints online from Charmingwall. More »
  • painting

    Austin Power

    I am interested in showing the difficulty and discomfort in fully understanding a person. I leave my subjects incomplete to highlight their limitations, as well as my own inability to see the subject beyond the influence of myself. More »
  • illustration

    Sarah Goodreau

    formaldehyde in the medicine cabinet. preserving memories and memorabilia.that matchbook from last february. the hair from two years ago. the gravel from your street. most importantly the dreams. you wake up with. and also feathers for when you fly away. thus creating an image that smells like spilt ink and people who never forget. More »
  • photography

    Travis Dubreuil

    Travis Dubreuil was born and raised in the light of De Luz, California. He spent his childhood and adolescence walking and exploring, which allowed for excessive amounts of creative thought. Travis left the middle of nowhere at 18 and moved to the coast. Traveling soon became a strong passion and led him to Europe, the Caribbean, and Central America. Brooklyn is now home and he spends his days photographing faces, spaces and places. Travis has degrees in digital imaging and graphic design as well as commercial photography. His work has been shown on both the West and East coasts. More »
  • painting

    Scott Listfield

    I paint astronauts and, sometimes, dinosaurs. More »
  • painting

    Lori Nelson

    I like to paint awkward social moments as nicely as I can. More »
  • painting

    John Lytle Wilson

    My paintings draw on both religious iconography and modern commercial design. I investigate humanity's tendencies to depict animals and to use them to sell everything from food to god. Early humans drew the beasts they hunted. Mythologies developed featuring holy creatures and anthropomorphized species. Today we have cartoons, mascots, and corporate logos. In each case, animal imagery is a powerful indicator of a culture's priorities. Are they simply a powerful marketing tool, or is there inherent divinity in animals? Are people compelled to represent beasts because we see something human in them, or because we see something animal in ourselves? More »
  • painting

    Wolfgang Bauer

    Born in Vienna, Austria, Wolfgang currently resides in Los Angeles. He holds a degree in Fine Arts, Gender Studies, and German Literature from the University of Southern California. Wolfgang also studied at the Hochschule fuer Musik and Darstellende Kunst, (Max Reinhardt Seminar, Vienna, Austrria), and at the Universitaet fuer Musik und Darstellende Kunst, (Mozarteum, Salzburg, Austria). More »
  • painting

    Barry Sparkman

    I use photo based printmaking techniques to incorporate scientific illustrations of aquatic algae (e.g. Hypnae), DNA molecules, plant and animal cells, botanical images, and pathogens into my paintings and monoprints. I establish visual connections between my own invented images and these evolutionary forms that I encountered in nature. In addition to evoking an emotional response in the viewer through the manipulation of color, shape, line, and texture, these images also precipitate rational thoughts about both the history and current status of our natural world. More »
  • photography

    Carrie Villines

    Los Angeles native Carrie Villines received her BA from UCLA and her MFA from Parsons. Her work has been exhibited internationally, and has been published in "ARTnews," The Associated Press and "Graphis." She lives & works in Bushwick. More »
  • painting

    Cody Furguson

    My works reflect my personal ideas of what is beautiful in the male form. More »
  • painting

    Kirsten McCrea

    I want to live in a world where every home is full of art and it isn't illegal to paint the streets. My paintings and drawings explore issues of cultural memory, looking at pop vs. underground culture, the media, and popular mythologies. More »
  • painting

    Esin Erez

    I am an artist who is thoroughly fascinated by the clashes in the visual culture of developing cities between urban/rural, and traditional/modern elements. My painting practice is focused on creating and reinterpreting snapshots of urban life such places, especially Istanbul, where I have grown up. I am interested in elements of my architectural practice into my paintings. This involves both focusing more on my "process"- something that was highly emphasized in my architecture education- and also bringing in perspective drawings and architectural collages into painting as a means of capturing the dynamics of city life that form my subject matter. More »
  • mixed media

    Donna K.

    I used to live in the city where I liked buildings and attractive people. Now I live in the country where people have more cars than teeth. More »
  • painting

    Joe Heaps Nelson

    chronicler of bulldogs and interstate trucking. He is also proud to continue the 17,000 year old tradition of mammoth painting, and hopes to spark a resurgence. His deadpan, pop-flavored, post-ironic approach is the result of millions of years of evolution. He aspires to be worthy of the title "gentleman farmer." He is undaunted by the inevitability of death and the ultimate futility of all human endeavor. More »
  • painting

    Kiseok

    I explore some sort of human condition in contemporary culture and the relationship between the self and the world. The figures in my work are used as objects to illustrate my own relationship to the world or feelings I have. More »
  • digital

    Marcin Zeglinski

    I like space travel, transcendence and trees. I like making pretty pictures with little to no explanation behind them. As such, you will find none here. More »
  • mixed media

    Scott Peehl

    My "Reflection" work is a reaction to a career of manipulating images and sounds. After struggling to find a way to create truly unique video art, I went to see a film by a director whose work I had previously found difficult to follow. I noticed sitting down the row was a painter I admired. At that moment I made a conscious choice to watch the film as a painting. It was an amazing experience, filled with meaning and metaphor. Realizing what an effect one's frame of mind has on how the human brain processes information. I ran home, pulled a painting out of a frame on my wall and mounted the monitor to the frame. More »
  • other

    Wolf & Pack

    Wolf and Pack was born of necessity rather than coincidence. The need to produce rather than sit back and judge. Started in 2002 in NYC by Gabriel Hunter and Julian Lynn over drinks at a bar called Max Fish, things seemed simple, produce shirts we wanted to wear. Sell some, give some away, keeping occupied was job one. This momentum, and overwhelming response to our efforts, carried us all the way to Amsterdam NL to open the Wolf and Pack shop, while also expanding the emphasis to working with artists we admire and support in our split level shop / art gallery space. We look forward to continuing the journey of exposing new thoughts and ideas be they cloth, canvas or digital. More »
  • painting

    Morgan Thomas Anderson

    Hailing from Philadelphia, PA, Morgan Thomas has spent the majority of her life in observation of the people around her. She has studied art and art history around the world and graduated in 2007 from Williams College with two degrees (in studio art and sociology). Thomas' main subject is human but strives to examine more emotion and communication than the classic portrait. Utilizing a semiotic vocabulary built up through the existence of the human race, Thomas records the world around her as she perceives it visually and spiritually. She aims to communicate to her audience the honest image and heartfelt meaning of a moment in time as it can be understood through form, color, and symbolic imagery. Thomas' work is sociological, allegorical, and historical record. It does not try to comment on an event, but rather represent it for the audience to bring judgement to. More »